“Robinson's performance shines a light on the vanity of much of today's youth and the culture in which they are being raised… Robinson's Spike is more than just a teasing visual gag, however. He has some of the best lines in the play, and the actor fully maximizes the wit of Spike's unwittingly funny rejoinders.” - Adam Cohen, Broadway World
“Jonah Robinson, making an impressive debut on the Marin Shakespeare stage, plays D'Artagnan with just the right amount of boyish enthusiasm and perception beyond his years. He has a fresh-faced robustness and sparkling energy. His entrance on a rope high above the audience is awesome.” - Richard Connema, Talking Broadway
Jonah is a bi-coastal, professional Actor, Writer, Dancer, Singer/Songwriter, Producer, etc. from Los Angeles, CA. He received a BFA in musical theatre from the University of Miami and has been working around the country onstage and on screen ever since.
Jonah has been seen at some of the most prestigious regional houses in the country performing in both plays and musicals - Including the Goodspeed Opera House, The Utah Shakespeare Festival, The Kravis Center, and The Alabama Shakespeare Festival. He’s stared in roles such as Tony (West Side Story), Ren McCormack (Footloose), Elvis Presley (Million Dollar Quartet), Danny Zuko (Grease) and more. Recently he made his television debut in Daisy Jones & the Six streaming on Amazon Prime.
Jonah is an all around musician who plays ten instruments and counting; and is also a songwriter, choreographer and teacher. He has lead workshops in stage combat, music skills, and Shakespeare technique around the country, and runs a college advising organization that helps rising seniors get into the BFA programs of their dreams.
“A hunky boy-toy… the very likable — and ripped — Jonah Robinson” - Jim Testa, NJArts
“Jonah Robinson is a sexy pompadoured-Danny Zuko pining in “Sandy” and easily slips into the choral numbers”- Bill Herschman, FL Theatre on Stage
“Robinson has the Tony good looks and demeanor and carries a lot of the emotional weight of the show. His smooth tenor pairs well with Mitchell’s Maria…” - Janie K. Smith, San Francisco Critics Circle